Auguste Rodin, L’aurore (Camille Claudel) c.1885, Musée Rodin, Paris.

Auguste Rodin, L’aurore (Camille Claudel) c.1885, Musée Rodin, Paris.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2016

Dionysius the Areopagite

Mystical Theology

Chapter II

How it is necessary to be united with and render praise to Him Who is the cause of all and above all. Unto this Darkness which is beyond Light we pray that we may come, and may attain unto vision through the loss of sight and knowledge, and that in ceasing thus to see or to know we may learn to know that which is beyond all perception and understanding (for this emptying of our faculties is true sight and knowledge), and that we may offer Him that transcends all things the praises of a transcendent hymnody, which we shall do by denying or removing all things that are like as men who, carving a statue out of marble, remove all the impediments that hinder the clear perceptive of the latent image and by this mere removal display the hidden statue itself in its hidden beauty.