Cheryl Marie Cordeiro

Quayside, Lindholmen Science Park, Gothenburg.
Lindholmen Science Park is a part of the Norra Älvstranden region, located between the two bridges, Älvsborgsbron (Älvborgs Bridge) in the west and Götaälvbron (Göta River Bridge) in the east. The area has been important since the Viking Age and before, where the Göta river outlet acted as a trade center, uniting the prosperous inland regions and the sea.
Text & Photo © JE Nilsson, CM Cordeiro 2014

Situated in the collaborative environment for knowledge intensive companies at the Lindholmen Science Park in Gothenburg, the China-Euro Vehicle Technology (CEVT) R&D centre was established on 20 February 2013 as a joint Volvo Cars and Geely platform for advancing the partnership in product development and strategy between the two companies, owned by Geely Holding. Today it has about 200 resident engineers that will be increased according to plans, to 400. They are to focus on the innovations of the basic modular architecture platform for the next generation of leading C-segment cars, that includes hatchback, sedan and estate models.

The 22nd of January is just a few months short of ten years, when on 3 September 2004, the naming ceremony of the Swedish East Indiaman Götheborg was performed by Her Majesty Queen Silvia, at the Opera House at Lilla Bommen, just on the opposite side of the Göta river. The purpose of the Gotheborg III project was very long term, aimed at building upon old good relations bringing the two countries of Sweden and China once again closer to each other. It was an idea that took hold and to some extent might have contributed to the events leading up to this centre being located here and now.

What is currently in process between Volvo Cars and the Geely organization is groundbreaking in many ways. It is industrial and knowledge management history in the making. This has naturally attracted the attention of the Centre for International Business Studies (CIBS), headed by Professor Claes G. Alvstam at the School of Business, Economics and and Law at the University of Gothenburg, where I am affiliate, that has followed China’s entry into the global automobile industry with great interest.

It was thus an evolutionary progression of things that we today found ourselves visiting the CEVT R&D centre at Lindholmen.

Designed by architect Gert Wingårdh, Kuggen, the striking and colourful building for innovation and entrepreneurship and a showcase for sustainable development was completed in 2011 is part of Campus Lindholmen. The University of Gothenburg and Chalmers University of Technology have established both independent and joint study and research units at Campus Lindholmen.

The modular architecture platform is innovative in the sense that it allows several different vehicle platforms to be developed from one single architecture. This means that vehicle dimensions, crash safety, engine suspension, comfort nd handling for example, can all be custom tailored and adapted to a specific market’s requirements to similar models of cars.

“Even if the wheelbase is maintained, the distance between the wheels and the bumper may vary in accordance with the style of the automobile. Or the size of the fuel tank may be different, but perhaps the supply nozzle may be the same.” – Mats Fägerhag [1], CEO of CEVT, Global Times, 16 Sept 2013.

The combined delegation of Management and Organisation,
and the Centre for International Business Studies (CIBS) of the School of Business, Economics and Law, University of Gothenburg, at the Nordic Centre, Fudan University, Shanghai.
Text & Photo JE Nilsson, CM Cordeiro 2013

It was a brief early morning walk from the Crowne Plaza Hotel to the Nordic Centre, located in the Handan campus of Fudan University, one of China’s top ranked universities.

Inside the Nordic Centre with a glimpse of its mosaic mural.

Currently sharing location with the Foreign Affairs Office of Fudan University, the Nordic Centre was opened by the Norwegian Prime Minister Gro Harlem Brundtland together with the President of Fudan University, Professor Yang Fujia in 1995. It was to be a platform for collaboration between the university and the 14 Nordic universities located in Denmark, Finland, Norway and Sweden. Today, the centre has 27 university affiliates that include the University of Iceland.

Crowne Plaza Shanghai Fudan Hotel
Text & Photo © JE Nilsson, CM Cordeiro 2013

When looking at the facade of the Crowne Plaza Shanghai Fudan Hotel it is difficult to not read into the facets of its facade some influences from the constructivist art movement that grew out of Russian Futurism in the early years of the 20th century.

Constructivist architecture flourished in the Soviet Union in the 1920s and early 1930s. Its ideas were revolutionary at the time and combined advanced technology and engineering with social purposes.

This era was also a formative one for Shanghai, as it acted as an eastern melting pot between East and West in the Warlord epoque of China in the 1910s, around the years of the Russian revolution and the financial boom of WWI. As such one would not be too surprised to find traces of these ideas right here in the Yangpu district of Shanghai where much of China’s academia flourishes today.

It is even difficult not to draw references to Russian industrialism and earlier, the cubism of Picasso and Braque, in the facets of the facade looking like human beings standing on top of, lifting, carrying and supporting each other. Architecture depicting the human strive to higher and higher achievements.

The Russian bicyclist painting by Natalia Goncharova (Cyclist, 1913) comes to mind as another reference to the Russian futurism of the 1910’s. This can be seen in contrast to the slightly older painting by Ramon Casas, of himself and Pere Romeu on a tandem bicycle, 1897. The two works of art illustrate a dramatic change in ideologies and thus realities, that had come by in a mere few decades. The latter was painted specifically for the interior of the Els Quatre Gats in Barcelona, a restaurant and bar that was pretty much the center of the early Modernisme art movement in Barcelona at the turn of the century, and also the very place where Picasso had his first exhibition.